Besides reading and re-reading the book Heart of a Soldier
by James B. Stewart, I took inspiration from a variety of other sources. Here are just some of the additional works that lent their weight as I wrote the libretto.
Posted: 09/12/2011 by
Donna Di Novelli (Librettist, Heart of a Soldier)
Today, we presented our annual Opera in the Park concert as a memorial to the victims of the 9/11 terrorist attacks. The San Francisco Opera Orchestra and Chorus, along with Music Director Nicola Luisotti and four Adler Fellow soloists performed Mozart's Requiem Mass, interspersed with meditational texts read by members of the San Francisco Interfaith Council. Included below are the various readings and prayers which were included in the event.
Posted: 09/11/2011 by
San Francisco Interfaith Council
What a beautiful Labor Day weekend it was in Napa. Susan Rescorla landed and got settled into her hotel on Sept. 4th and we started bright and early on a whirlwind Napa adventure the morning of the 5th.
Somehow, over the months that have passed since I've seen Susan and despite the fact that she experienced major damage to her home from Hurricane Irene, she has become even more fresh faced and beautiful.
Posted: 09/10/2011 by
Melody Moore (Susan Rescorla, Heart of a Soldier)
10) Be thankful that I’m working with such talented Opera Ball Co-chairs, Anne Marie Massocca and Susan Tamagni. Together with the Opera Ball Committee and SF Opera Guild professional staff, we will surely plan an incredible evening for all!
9) From a practical perspective, select a gown by June so that I don’t need to shop during the summer. Ana Castillo of Neiman Marcus makes it easy! Frances Diniz of Wellendorff’s Boutique at Shreve & Co. is a great help with accessorizing.
Posted: 09/07/2011 by
Ann Girard (S.F. Opera Guild President)
Why have there been so many new operas based on current events or contemporary characters? Hopefully, the answer is that these incidents and people inspire composers to write what turns out to be their best music. And calculating producers like me feel the familiar subject matter, elevated as it has been to a mythical level through the power of the media, will deliver the audience into the theater. Advance knowledge of a subject can make a new opera more “friendly,” in the way star performers can attract people to see a piece they don’t know. So getting Tom Hampson to perform the lead role in an opera about 9/11 premiering on the eve of the tenth anniversary of 9/11 should succeed in capturing attention and delivering an audience. Very few events in recent years have elicited such feelings of horror, grief and empathy.
Posted: 09/04/2011 by
David Gockley (General Director)