Our 2014-15 season opening weekend was a whirlwind of activity, from the opening night gala featuring Bellini’s Norma, to the opening performance of Susannah on Saturday, with the free Opera in the Park concert as a grand finale on Sunday.  Here’s a visual wrap-up culled from the hundreds of social media posts from artists and audience members.

Posted: 09/08/2014 by San Francisco Opera

Arturo Chacón-Cruz is currently with us singing The Duke of Mantua in one of our two casts of Verdi's Rigoletto. While this is his mainstage debut at San Francisco Opera, the Mexican tenor is no stranger to our stage--he was a Merola Opera Program participant in 2002! Of his debut on September 8, the San Francisco Chronicle wrote: "[Chacón-Cruz] stepped into the role for a company debut of enormous grace, charisma and stamina. Here, clearly, is a singer of major promise." The young tenor sat down to answer our questions about singing the Duke, his love of San Francisco and making opera accessible to the public.

Posted: 09/14/2012 by Arturo Chacon-Cruz

Planning for Opera in the Park begins a full year ahead of the event. The first (and maybe most important) step happens the day after the previous year’s concert, when we call San Francisco Rec & Park to reserve our date.

Posted: 09/10/2012 by Jeremy Patfield (Production Administrative Assistant)

An intriguing invitation was posted in this Tweet by SF Opera on May 29, 2012:“Are you an #opera curious power Tweeter? Apply for a Tweet Seat at dress rehearsal of Nixon in China, June 5, 2pm pls RT” When I read the tweet, I had already purchased my ticket to see Nixon in China on opening night. This unexpected invitation inspired me to see if I could use my iPad to capture my experience of Nixon in China and share my impressions with the SF Opera community and the Twitterverse.

Posted: 06/25/2012 by David Newman (artist and Nixon in China Tweeter)

“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.

For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.


Posted: 06/21/2012 by Tess Uriza Holthe (Super, Nixon in China)

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Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.


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