With the final performance of Madama Butterfly on July 9, let's take a moment and rediscover how artist and production designer Jun Kaneko took his first foray into opera design. Below is an excerpt from his 2011 book.
Posted: 07/02/2014 by Jun Kaneko (Production Designer, Madama Butterfly)


When I first met Jun Kaneko, he was on a ladder with clay up to his elbows, working on a gigantic head. He joked that the piece might take two years to dry, and then he wouldn’t be able to say whether it would crack when it encountered the incredible heat of the kiln. I knew then that we would have a rich collaboration! As with one of Jun’s large clay pieces, we worked for over two years to create the world that was to be our Madama Butterfly. It was an incredibly rich creative and collaborative process born out of deep respect for Puccini’s masterpiece and its resonance within Jun Kaneko’s beautiful and profound aesthetic vision.

Posted: 06/27/2014 by Leslie Swackhamer (Director, Madame Butterfly)


Tomorrow evening our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

As the year draws to a close for our Adlers, we want to take a moment to highlight some of their key roles in 2013. The Adler Fellows truly are the rising stars of opera, and you can say “You saw them here first!”

Posted: 11/25/2013 by San Francisco Opera


One of the most riveting scenes of Mark Adamo's opera The Gospel of Mary Magdalene occurs when Peter is overcome with grief for having denied Jesus three times before his crucifixion.


As the stage is bathed in blood red light, Peter falls to his knees, wailing, "How many times will I remember this? Seven times seven?" This moment of anguish has inspired other composers to some of their most dramatic and poignant music as well.
Posted: 06/27/2013 by Kayleen Asbo


Last Sunday San Francisco Opera invited a small group to attend and live tweet the final dress rehearsal of The Gospel of Mary Magdalene. The opera by Mark Adamo has its world premiere on Wednesday, June 19, so this was truly a first glimpse for the public.





Posted: 06/19/2013 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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