I began supering in 1985, with a brand new complete Ring
cycle. Since then, I’ve done all the classics—Carmen, La Bohème, Rigoletto
, etc. etc. —as well as my share of more obscure pieces. However, the one thing I’ve never done is a brand-new, hot-off-the-presses, world-premiere opera—until now!!! [Photo Left: Laurel Winzler in her English maid costume from The Secret Garden.
Posted: 03/06/2013 by
Laurel Winzler (Supernumerary, The Secret Garden)
Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden
, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene
in June and Dolores Claiborne
in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges.
Posted: 01/22/2013 by
Kip Cranna, Director of Music Administration
Have you seen the August issue of Opera News
? The cover story is called “Opera’s Next Wave: The Voices and Faces of the Future.” It’s a great article, and well worth reading while it’s still out on newsstands. Here at San Francisco Opera, we couldn’t help but swell with pride at how many familiar faces graced the pages of this article. Quite a good number of these up and coming opera stars have performed on the War Memorial Opera House stage in the last several years or are scheduled to make debuts in the near future. Which of these fine young musicians, which Opera News
predicts will “break out and become major forces in the field in the coming decade,” have we brought to Bay Area audiences lately? Allow us a trip down memory lane. [Left: Luca Pisaroni in The Marriage of Figaro
Posted: 08/10/2012 by
San Francisco Opera
“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.
For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.
Posted: 06/21/2012 by
Tess Uriza Holthe (Super, Nixon in China)
It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)