Inexplicable things happen to me in London. Several years ago I made an early morning visit to Westminster Abbey, that great reliquary of historical memory, and found it almost empty and utterly silent, a rare state for one of the world’s great tourist magnets. I intended to spend a few quiet moments at the memorial stone of my favorite composer, George Frideric Handel (1685–1759), the great German-born composer, Italian-trained, and rightly claimed by England as their own.

Posted: 11/11/2011 by Patrick Summers (Conductor, Xerxes)


We are thrilled to be kicking off our official Backstage at San Francisco blog. This first blog post comes from Christopher Theofanidis—the composer of Heart of a Soldier, our world premiere commission based on the book of the same name by James B. Stewart. Heart of a Soldier will have its premiere on September 10, 2011—the eve of the tenth anniversary of the September 11 terrorist attacks. While the opera may be new to all of us, there are many who have been working on it for years now. Read on to gain insight into some of the musical challenges Christopher worked through early in his composing process.

Posted: 08/15/2011 by Christopher Theofanidis (Composer, Heart of a Soldier)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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