It may only appear in one short scene at the beginning of the opera, but unquestionably one of the stars of every production of The Magic Flute is the serpent that pursues Prince Tamino and is ultimately killed by the Three Ladies. Because our new hi-tech Magic Flute production is so heavily based on projections and digital images (8 projectors!), you might assume that the serpent chasing poor Tamino would simply be an image projected on the wall--but designer Jun Kaneko had a different idea! [Left: Jun Kaneko's design drawing of Tamino facing the two-headed snake]
Posted: 05/22/2012 by
San Francisco Opera
When we found out that San Francico Opera Chorus Member Elisabeth Rom's brother is Set Designer Erhard Rom for Nixon in China, we immediately asked her to write a blog post. So glad we did! Elisabeth shares how she became a chorus member at SF Opera (with a little help from her brother) and how with their busy schedules they still make time for family.
Posted: 05/21/2012 by
Pretty much anyone can recognize an image by graphic artist Michael Schwab—even if you don’t know it yet. He has created award-winning logos and posters for a remarkable list of prestigious clients, including Apple, Amtrak, the Golden Gate National Parks, Major League Baseball, Robert Mondavi, Robert Redford, Sundance and Wells Fargo. His work is easily recognized by his signature use of large, flat areas of color, dramatic perspectives and bold, graphic images of archetypal human forms.
Posted: 05/16/2012 by
Michael Schwab (Graphic Artist)
We cannot wait to unveil our brand new production of The Magic Flute
, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
Posted: 04/18/2012 by
San Francisco Opera
Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”
Posted: 03/28/2012 by
David Gockley (General Director)