Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera. In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by
Robert Mollicone (1st Year Adler Coaching Fellow)
Making his San Francisco Opera debut with The Magic Flute
this summer, Scottish-born Rory Macdonald has rapidly established himself as one of Britain’s most talented, dynamic young conductors. Below Rory shares the challenges and thrills of conducting one of Mozart's most beloved operas.
Posted: 07/02/2012 by
I am just going to admit it: I am showmanced.
And this is no run of the mill, 8 week and then you are done, showmance. This one will go the distance. The difficulty of this showmance is that it involves more than one artist and I am afraid that when Nixon in China
finishes its run here in San Francisco, I may be thrown into a fit of post-show depression that I can’t climb out of.
Posted: 06/08/2012 by
Buffy Baggott (Secretary to Chairman Mao, Nixon in China)
We all do it. You're out with friends, having dinner or going to a show or having a drink after work. What are the chances that someone in the group will pull out a smartphone and snap a picture to put on Facebook or Twitter? We like to show our friends and family what we are doing and we like to have something to help us remember a fun evening out. If this sounds like something you've done (or even if you haven't...yet) then our Snap & Post to Win contest is going to be the easiest drawing you've ever entered! Want the chance to win a fantastic night out—dinner and a show at San Francisco Opera? Read on.
Posted: 06/01/2012 by
San Francisco Opera Social Media
Nixon in China
is one of a handful of operas that mean the most to me. I first heard Nixon
when I was at Dartmouth College in the spring of '94 during an opera survey class. The professor only played the "News" aria, but that was all I needed to hear, I was hooked. I instantly bought the recording and played it all day every day and when I finally got the score many years later, it revealed a whole new dimension to the music that I could finally play and sing to myself.
Posted: 05/30/2012 by
Joseph Marcheso, (Rehearsal Conductor, Nixon in China)