“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.

For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.

 

Posted: 06/21/2012 by Tess Uriza Holthe (Super, Nixon in China)


It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute!

Posted: 06/20/2012 by Natalie Beier ("Super" Chick and Budding Costume Designer)


I am just going to admit it: I am showmanced.

And this is no run of the mill, 8 week and then you are done, showmance. This one will go the distance. The difficulty of this showmance is that it involves more than one artist and I am afraid that when Nixon in China finishes its run here in San Francisco, I may be thrown into a fit of post-show depression that I can’t climb out of.

Posted: 06/08/2012 by Buffy Baggott (Secretary to Chairman Mao, Nixon in China)


We all do it. You're out with friends, having dinner or going to a show or having a drink after work. What are the chances that someone in the group will pull out a smartphone and snap a picture to put on Facebook or Twitter? We like to show our friends and family what we are doing and we like to have something to help us remember a fun evening out. If this sounds like something you've done (or even if you haven't...yet) then our Snap & Post to Win contest is going to be the easiest drawing you've ever entered! Want the chance to win a fantastic night out—dinner and a show at San Francisco Opera? Read on.

Posted: 06/01/2012 by San Francisco Opera Social Media


Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”

Posted: 03/28/2012 by David Gockley (General Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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