Did you see Joyce DiDonato this past Saturday in the Met’s cinema presentation of The Enchanted Island? I have seldom seen such perfection as was evident in every aspect of her performance. Joyce has now arrived at the pinnacle of her profession.





Posted: 01/25/2012 by David Gockley (General Director)


We announced our long-awaited 2012–13 season yesterday and even though we are still over 7 months away from our next opening night, we are all getting quite excited about what is in store. You can read complete repertory and casting information here, but for a bit of insight into the highlights of the season, read on to hear what General Director David Gockely is looking forward to the most! 



Posted: 01/18/2012 by David Gockely (General Director)


We are incredibly excited to announce our 2012-13 Season today! Take your time browsing the website for complete repertory and casting information. You will also find a wide variety of additional information including synopses, program articles from past years, photos and videos.
Posted: 01/17/2012 by San Francisco Opera


Carmen and I have spent the last two months together. Interesting, since she never stays in one relationship that long… I started rehearsals as the cover in the French Carmen and continued with Carmen for Families. I am Israeli, playing a Spanish Gypsy, in a French opera, sung in English. Confused? Me too!




Posted: 12/01/2011 by Maya Lahyani (Carmen, Carmen for Families)


I think I have something to the effect of 125 minutes between my last exit in Act 1 and my entrance in Act 3. If you haven’t done the math yet, that’s about 2 hours. Realistically, except for all the previews, I could probably catch a movie and be back in time for my Act 3 aria.
 
Waiting for Act 3, that’s the challenge of this role. I know, cue the violins. But let’s talk about this. Part of what has been so interesting about taking on this role is figuring out how to manage my time.
Posted: 11/22/2011 by Sara Gartland (Micaela, Carmen)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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