How have you prepared for your role as Hoffmann? Have you ever read the original stories that inspired the libretto by E.T.A. Hoffmann? Owing to the fact that this version of Hoffmann is very different from ones I've been involved with before, there was a lot of new music, and dialogue to learn. As always with languages you don't speak, figuring out the meaning behind the words takes up a lot of time. And that goes not just for what I'm saying, but also for the things that are being said to you by your colleagues. I have read the E.T.A. Hoffmann stories, though I didn't revisit them for this revival here in San Francisco.

Posted: 06/03/2013 by Matthew Polenzani (Hoffmann, Tales of Hoffmann)


Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”

Constance and I set out to source the Mary Magdalene textiles, armed with a stack of research books: The Jewish Wardrobe, published by The Israel Museum in Jerusalem, The History of Jewish Costume by Alfred Rubens, Roman Clothing and Fashion by Alexandra Croom; The World of Roman Costume by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus (a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by Christopher Verdosci


Our next Adler Profile features tenor & first-year Adler Fellow A.J. Glueckert who hails from Portland, Oregon.  A.J. is a graduate of the San Francisco Conservatory of Music and is a former young artist at both Utah Festival Opera and Minnesota Opera.  He was a 2012 participant in the Merola Opera Program and is also a former Apprentice Artist at Santa Fe Opera.  His past performances include the role of Crown Prince in the world-premiere of Kevin Puts' Silent Night at Minnesota Opera and Opera Philadelphia; Mr. Owens in Argento's Postcard from Morocco for the Merola Opera Program; and the Drum Major in Berg's Wozzeck with Opera Parallèle.  He will make his San Francisco Opera debut this summer in the world-premiere production of Mark Adamo's The Gospel of Mary Magdalene (check out his feature profile on San Francisco Classical Voice here).  An avid sports fan, A.J. looks forward to rooting on the Portland Trailblazers and other Pacific Northwest teams throughout the season. 
Posted: 05/28/2013 by San Francisco Opera


Just like the rest of the world, we here at San Francisco Opera are anxiously awaiting the return of "Arrested Development" on Sunday. And so, in honor of this momentous occasion, we looked back at the life and times of the family Bluth and put together 14 ways that opera is like "Arrested Development."

COME ON! In opera...



Posted: 05/24/2013 by San Francisco Opera



Mark Adamo's new work is not the first theatrical production which has envisioned a powerful love duet between Jesus and Mary Magdalene.  Jules Massenet (best known for Manon and Thais) first came to prominence with his oratorio Marie Magdeleine, which views the last three days of Jesus's life from her perspective.

Posted: 05/23/2013 by Kayleen Asbo


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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