5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


Everyone knows that the opening night Opera Ball is a glamorous event full of flowers,  decorations, food, libations and of course, fashion! But there are many who attend the opening night performance alone, without attending one of the galas--and we wouldn't want them to miss out on the glamor! Every year, Opening Weekend Grand Sponsor Diane B. Wilsey donates a beautiful, hand crafted and unique flower garland to adorn the boxes of the War Memorial Opera House. To most of us, the flowers seem to simply appear on opening night to add a colorful, whimsical decorative element to the special evening...but we knew there was more to it than that. This time, we decided to find out a little bit more about the people and process behind the opening night flower garland. And boy, did we learn a lot!
Posted: 09/12/2012 by San Francisco Opera


Last Thursday on August 16th, the San Francisco Opera's BRAVO! Club officially kicked off the 21th Annual Opening Gala under the glitz and glamor of the CODE Salon and The Factory Label. Over 150 BRAVO! Gala ticket holders and their guests were invited to celebrate this year's Gala in style.





Posted: 08/20/2012 by Amy Higgins (BRAVO Board Member)


Have you seen the August issue of Opera News? The cover story is called “Opera’s Next Wave: The Voices and Faces of the Future.” It’s a great article, and well worth reading while it’s still out on newsstands. Here at San Francisco Opera, we couldn’t help but swell with pride at how many familiar faces graced the pages of this article. Quite a good number of these up and coming opera stars have performed on the War Memorial Opera House stage in the last several years or are scheduled to make debuts in the near future. Which of these fine young musicians, which Opera News predicts will “break out and become major forces in the field in the coming decade,” have we brought to Bay Area audiences lately? Allow us a trip down memory lane. [Left: Luca Pisaroni in The Marriage of Figaro]

Posted: 08/10/2012 by San Francisco Opera


Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera.  In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by Robert Mollicone (1st Year Adler Coaching Fellow)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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