It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
"You're on!": two of the most thrilling and nerve-wracking words you will ever hear in the English language as a cover (or understudy). In my opinion, covering can be compared with thrill-seeking sports like bungee or base jumping. You must be prepared at a moment's notice to go onstage and perform. During this summer season at San Francisco Opera, I am covering two VERY different roles: Madame Mao from John Adams' Nixon in China
and The Queen of the Night from Mozart's The Magic Flute
Posted: 06/18/2012 by
Susannah Biller (Soprano)
Those of you who have passed in front of the War Memorial Opera House in the past week have likely noticed a beautiful new addition to our Van Ness entrance. Richly colored in red, yellow, blue, black, and white, renowned artist/sculptor Jun Kaneko’s HEADS will be in place throughout the run of the summer opera season and will coincide with the premiere of Kaneko’s production of The Magic Flute
Posted: 06/11/2012 by
San Francisco Opera
I am just going to admit it: I am showmanced.
And this is no run of the mill, 8 week and then you are done, showmance. This one will go the distance. The difficulty of this showmance is that it involves more than one artist and I am afraid that when Nixon in China
finishes its run here in San Francisco, I may be thrown into a fit of post-show depression that I can’t climb out of.
Posted: 06/08/2012 by
Buffy Baggott (Secretary to Chairman Mao, Nixon in China)
When I accepted the role of Richard Nixon a few years ago, I knew it was going to be the most challenging assignment of my career. Taking on Nixon in China
, the brilliant opera by John Adams, was a daunting task for so many reasons, but the obstacle that would challenge me most was that of becoming the iconic colossus, Richard Nixon.
Posted: 06/07/2012 by
Brian Mulligan (Richard Nixon, Nixon in China)