We're counting down the days until we open our world-premiere production of Nolan Gasser's The Secret Garden and rehearsals here at San Francisco Opera are about to head over the Bay Bridge to Zellerbach Hall at UC Berkeley. We're thrilled to be co-presenting this work with Cal Performances and we've lined up an exciting young cast who will be bringing this beloved childhood tale to life. Find out a little bit more about the Secret Garden cast in today's blog post.
Posted: 02/15/2013 by
San Francisco Opera
Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden
, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene
in June and Dolores Claiborne
in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges.
Posted: 01/22/2013 by
Kip Cranna, Director of Music Administration
When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden
. No, not that Secret Garden
but a NEW
world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project
) Nolan Gasser and librettist Carey Harrison.
Posted: 09/16/2012 by
San Francisco Opera
In a stack of resumes, there are a handful of certain recurring words. Wrangler is not one of them. Maybe because cowboys never found a way to fuse their experience in the Great American West with corporate infrastructure or maybe because lassos have simply lost their practicality in an urban world. Either way, I am one of the few people who can claim this title. No, I am not a cowboy- I am a Child Wrangler at San Francisco Opera. What does that mean exactly? It means I guide child performers on and off stage throughout rehearsals and performances at the opera. I have been in this position for the past four seasons and have been held responsible for as few as four and as many as 40 children ranging from age 6 to 17. Some are seasoned veterans of the stage and some are complete novices. My job is to ensure their safety while they are in the building and, mostly, try to keep them focused, safe, and professional. Sometimes this is an easy task and sometimes, a nearly impossible one.
Posted: 06/29/2012 by
Samantha McCurry (Child Wrangler)