Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene in June and Dolores Claiborne in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges. 
Posted: 01/22/2013 by Kip Cranna, Director of Music Administration


When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.

 

Posted: 10/22/2012 by Joseph Marcheso (Assistant Conductor, Moby-Dick)


Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


Everyone knows that the opening night Opera Ball is a glamorous event full of flowers,  decorations, food, libations and of course, fashion! But there are many who attend the opening night performance alone, without attending one of the galas--and we wouldn't want them to miss out on the glamor! Every year, Opening Weekend Grand Sponsor Diane B. Wilsey donates a beautiful, hand crafted and unique flower garland to adorn the boxes of the War Memorial Opera House. To most of us, the flowers seem to simply appear on opening night to add a colorful, whimsical decorative element to the special evening...but we knew there was more to it than that. This time, we decided to find out a little bit more about the people and process behind the opening night flower garland. And boy, did we learn a lot!
Posted: 09/12/2012 by San Francisco Opera


There was a palpable energy in the War Memorial Opera House air in the months leading up to The Magic Flute premiere on June 13. None of us could wait to see this new production full of bold, colorful scenery and costumes by internationally acclaimed artist Jun Kaneko. When Jun and his wife Ree visited San Francisco Opera's Props department and Costume Shop in March, it was the first time they saw Jun's sketches come to life.
Posted: 06/27/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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