Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


Have you seen the August issue of Opera News? The cover story is called “Opera’s Next Wave: The Voices and Faces of the Future.” It’s a great article, and well worth reading while it’s still out on newsstands. Here at San Francisco Opera, we couldn’t help but swell with pride at how many familiar faces graced the pages of this article. Quite a good number of these up and coming opera stars have performed on the War Memorial Opera House stage in the last several years or are scheduled to make debuts in the near future. Which of these fine young musicians, which Opera News predicts will “break out and become major forces in the field in the coming decade,” have we brought to Bay Area audiences lately? Allow us a trip down memory lane. [Left: Luca Pisaroni in The Marriage of Figaro]

Posted: 08/10/2012 by San Francisco Opera


Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”

Posted: 03/28/2012 by David Gockley (General Director)


A giant passed away. A man that has served as a major inspiration for so many people, Steve Jobs, the former CEO and creator of Apple Inc. is now flying with the angels above. Mr. Jobs must be one of the most forward looking men of the 20th and 21st centuries; he was a man of huge ideas that reached the masses. He was also a man with a message: never look back, never think small. This message resonates loudly and clearly today for all of us committed to breathing life into a world of music and art that is suffering in a time of economic chaos.
Posted: 10/26/2011 by Michael Fabiano (Gennaro, Lucrezia Borgia)


One of the things I enjoy most about attending opera is that the music is often so timeless and wonderful that I can see the same show re-imagined hundreds of times and each time it will come to life and touch me in a new and meaningful way. The same thing is true for performing in opera.

Posted: 10/06/2011 by Elizabeth DeShong (Maffio Orsini, Lucrezia Borgia)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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