Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”
Posted: 03/28/2012 by
David Gockley (General Director)
Before he was an opera singer, Tongan-born tenor Ta’u Pupu’a (seen in the roles of Omaha and Robert in
Heart of a Soldier) was an athlete. A linebacker in the NFL, to be exact. Pupu’a was drafted by the Cleveland Browns and then the Baltimore Ravens before a career-ending injury motivated him to go back to his first love: singing. How does a football player make this unconventional career transition? We had the same question. Read on to hear Ta'u's story in his own words. Check back again soon to read more about the connections between football and singing...there are more than you may think!
Posted: 10/24/2011 by
Ta'u Pupu'a (Omaha and Robert, Heart of a Soldier)
We know that Heart of a Soldier closed its run last month, but we can't resist adding a couple of additional blog posts submitted by people involved in the show. There were just so many creative contributions! This first one is from projection designer S. Katy Tucker.
On September 11th, 2001 I was about to start my second day of work as a studio assistant for an artist in Soho. I'd moved to New York City one week before, taking a semester away from college.
Posted: 10/22/2011 by
S. Katy Tucker (Projection Designer, Heart of a Soldier)
When people ask me what my job is at the opera, I typically tell them to think of my position as a project manager for the productions as a whole. It’s not my job to do the actual work of construction or to be inspired to create the design. My job is to make sure that the designs are done on time, on budget and as close to the designer’s intention as is conceivable. It has it moments of creativity and of rote mathematics. It has it moments of exciting involvement and concise detachment; but mostly it has its moments of managing large expectations.
Posted: 10/20/2011 by
Andrew Farley (Assistant Technical Director)
It's hard to believe how much has been going on this fall. All within the first three weeks of the season we managed to get three operas up and running (Turandot, Heart of a Soldier
and Lucrezia Borgia
); put on two fabulous galas--Opera Ball 2011: A Night in the Forbidden City
and Bravo! Club Opening Night Gala
; present the world premiere of a brand new opera; hold the City of San Francisco's official observance of the tenth anniversary of the September 11 attacks through a moving concert in Golden Gate Park; host Opera at the Ballpark at AT&T Park for the first time in daylight; and meanwhile launch our second series of television screenings on KQED 9. We are proud to be such an integral part of San Francisco's community and look forward to the rest of the 2011 fall season!
Posted: 10/11/2011 by
San Francisco Opera