We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.

How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:

The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by Timothy J. Muldoon (Volunteer Docent)


Photo via Whipped BakeshopThe much-anticipated debut of Moby-Dick on PBS’ Great Performances airs this weekend and to celebrate San Francisco Opera invites you to #WhaleWatch: a nationwide viewing party! Invite your friends and family to a Moby-Dick themed gathering at your home or favorite bar/restaurant, and you can win a DVD or Blu-Ray signed by composer Jake Heggie by sharing your photos and ideas with us on Facebook, Twitter, and Instagram using #WhaleWatch. Below, we give you some of our ideas on how to have a whale of a time from nautical-themed hors d'oeuvres and cocktails to projection-based mood lighting -- remember to send us your seaworthiest moments and share your own ideas with us!

Posted: 10/28/2013 by San Francisco Opera


This Friday, San Francisco Opera will celebrate the opening of our 91st Season with a gala opening night like none other. Co-chaired by Ann Girard and Mai Shiver, San Francisco Opera Guild’s sold-out 2013 Opera Ball: The Garden of Good and Evil will be created by celebrity event designer Colin Cowie and will reflect the celestial and devilish themes of the evening’s performance––late 19th-century Italian composer Arrigo Boito’s Mefistofele.



Posted: 09/03/2013 by Colin Cowie, Opera Ball 2013 Designer


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”

Constance and I set out to source the Mary Magdalene textiles, armed with a stack of research books: The Jewish Wardrobe, published by The Israel Museum in Jerusalem, The History of Jewish Costume by Alfred Rubens, Roman Clothing and Fashion by Alexandra Croom; The World of Roman Costume by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus (a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by Christopher Verdosci


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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