This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.

Posted: 11/28/2012 by San Francisco Opera


When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.

 

Posted: 10/22/2012 by Joseph Marcheso (Assistant Conductor, Moby-Dick)


Our 90th Season is glammed up by Christian Lacroix’s stunning costumes for The Capulets and the Montagues. Born in Arles, France, the designer is known for his lavish, fantasy creations, influenced by his education in historical costumes. His design house may be closed, but Lacroix has far from slowed down. He continues to design for celebrities, collaborates and designs for other companies, and has designed costumes for opera and theater. Lacroix is even a pop culture household name: Absolutely FabulousEdina Monsoon wouldn’t be caught dead in anything but Lacroix, sweetie darling!
Posted: 10/16/2012 by San Francisco Opera


On Thursday, September 27th, students from the School of Fashion at the Academy of Art University in San Francisco had a unique and inspiring opportunity to go see the final dress rehearsal for The Capulets and the Montagues at the War Memorial Opera House. The tragic Shakespeare play has such iconic characters but this production was something completely new and like nothing I had ever seen, including the stunning costumes by world-renowned fashion designer Christian Lacroix.
Posted: 10/12/2012 by Lita Teplitz (AAU Fashion Design Student)


Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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