When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden
. No, not that Secret Garden
but a NEW
world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project
) Nolan Gasser and librettist Carey Harrison.
Posted: 09/16/2012 by
San Francisco Opera
Much like baseball fans, we here at San Francisco Opera count down the days until the opening of the Fall 2012 opera season. But as we were strolling around the City, enjoying the last days of summer, we realized that San Francisco was practically tailor-made for the five fall operas. We found so many connections between our beloved city and the fall season that we had to share them!
Posted: 08/24/2012 by
San Francisco Opera
Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”
Posted: 03/28/2012 by
David Gockley (General Director)
While Hollywood geared up for the Oscars this past weekend, we in the Education Department prepared for our own celebration of film: free screenings of Puccini’s The Girl of the Golden West for Families
at the Herbst Theatre! The movie was a shortened, one-hour version of the production that premiered at War Memorial Opera House in June 2010.
Posted: 02/28/2012 by
Dolores DeStefano (Education Program Associate)