Željko Lučić is currently wowing audiences in Rigoletto at the War Memorial Opera House. In our ongoing video series, Behind the Voice, we strive to give a voice to our singers off-stage. In the featured video below, Lučić shares his thoughts on the role of Rigoletto, fatherhood and how it affects his performance.




Posted: 09/18/2012 by San Francisco Opera


Arturo Chacón-Cruz is currently with us singing The Duke of Mantua in one of our two casts of Verdi's Rigoletto. While this is his mainstage debut at San Francisco Opera, the Mexican tenor is no stranger to our stage--he was a Merola Opera Program participant in 2002! Of his debut on September 8, the San Francisco Chronicle wrote: "[Chacón-Cruz] stepped into the role for a company debut of enormous grace, charisma and stamina. Here, clearly, is a singer of major promise." The young tenor sat down to answer our questions about singing the Duke, his love of San Francisco and making opera accessible to the public.

Posted: 09/14/2012 by Arturo Chacon-Cruz


Much like baseball fans, we here at San Francisco Opera count down the days until the opening of the Fall 2012 opera season. But as we were strolling around the City, enjoying the last days of summer, we realized that San Francisco was practically tailor-made for the five fall operas. We found so many connections between our beloved city and the fall season that we had to share them!



Posted: 08/24/2012 by San Francisco Opera


Have you seen the August issue of Opera News? The cover story is called “Opera’s Next Wave: The Voices and Faces of the Future.” It’s a great article, and well worth reading while it’s still out on newsstands. Here at San Francisco Opera, we couldn’t help but swell with pride at how many familiar faces graced the pages of this article. Quite a good number of these up and coming opera stars have performed on the War Memorial Opera House stage in the last several years or are scheduled to make debuts in the near future. Which of these fine young musicians, which Opera News predicts will “break out and become major forces in the field in the coming decade,” have we brought to Bay Area audiences lately? Allow us a trip down memory lane. [Left: Luca Pisaroni in The Marriage of Figaro]

Posted: 08/10/2012 by San Francisco Opera


Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera.  In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by Robert Mollicone (1st Year Adler Coaching Fellow)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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