Last Sunday San Francisco Opera invited a small group to attend and live tweet the final dress rehearsal of The Gospel of Mary Magdalene. The opera by Mark Adamo has its world premiere on Wednesday, June 19, so this was truly a first glimpse for the public.





Posted: 06/19/2013 by San Francisco Opera


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


The wise, knowing half smile on the enigmatic woman's face and the silvery sheen of her cloak have made many viewers assume that this is the work of a very modern painter. Surprise! This image of Mary Magdalene ̶ one which embodies such an air of mystery ̶ was painted in the year 1540 by Giovanni Solvoldo.




Posted: 05/01/2013 by Kayleen Asbo


On a research trip to Amsterdam, Mary Magdalene scholar Kayleen Asbo, visited the Rijksmuseum, a national museum dedicated to the arts and history of the Netherlands. While there she stopped for a look at Jan Van Scorel's 16th century depiction of Mary Magdalene and sent us this summary.




Posted: 04/23/2013 by Kayleen Asbo


Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene in June and Dolores Claiborne in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges. 
Posted: 01/22/2013 by Kip Cranna, Director of Music Administration


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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