We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.

How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:

The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by Timothy J. Muldoon (Volunteer Docent)


This Friday, San Francisco Opera will celebrate the opening of our 91st Season with a gala opening night like none other. Co-chaired by Ann Girard and Mai Shiver, San Francisco Opera Guild’s sold-out 2013 Opera Ball: The Garden of Good and Evil will be created by celebrity event designer Colin Cowie and will reflect the celestial and devilish themes of the evening’s performance––late 19th-century Italian composer Arrigo Boito’s Mefistofele.



Posted: 09/03/2013 by Colin Cowie, Opera Ball 2013 Designer


Just like the rest of the world, we here at San Francisco Opera are anxiously awaiting the return of "Arrested Development" on Sunday. And so, in honor of this momentous occasion, we looked back at the life and times of the family Bluth and put together 14 ways that opera is like "Arrested Development."

COME ON! In opera...



Posted: 05/24/2013 by San Francisco Opera


The world has definitely changed since President Nixon visited China in 1972. We could write a thesis paper on the amount of change our world has seen from politics to entertainment, but we thought in the interest of time and our attention spans we’d just narrow it down to the Top Five Ways the World has Changed Since Nixon Visited China.



Posted: 07/09/2012 by San Francisco Opera


Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera.  In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by Robert Mollicone (1st Year Adler Coaching Fellow)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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