We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


It is not surprising that many people assume Herman Melville wrote his classic novel Moby-Dick on Nantucket, a small island off the coast of Cape Cod in Massachusetts. It is, after all, the setting for much of the book, home port to the Pequod and home to many of the story’s most central characters. But in reality, Melville never set foot on the island before Moby-Dick was published in 1851. He wrote the book at a secluded farm in Pittsfield, Massachusetts, over 100 miles from the nearest large body of water.

An excerpt from the Berkshire Historical Society explains:

Posted: 10/30/2012 by The Berkshire Historical Society


Before he was an opera singer, Tongan-born tenor Ta’u Pupu’a (seen in the roles of Omaha and Robert in Heart of a Soldier) was an athlete. A linebacker in the NFL, to be exact. Pupu’a was drafted by the Cleveland Browns and then the Baltimore Ravens before a career-ending injury motivated him to go back to his first love: singing. How does a football player make this unconventional career transition? We had the same question. Read on to hear Ta'u's story in his own words. Check back again soon to read more about the connections between football and singing...there are more than you may think!
Posted: 10/24/2011 by Ta'u Pupu'a (Omaha and Robert, Heart of a Soldier)


We know that Heart of a Soldier closed its run last month, but we can't resist adding a couple of additional blog posts submitted by people involved in the show. There were just so many creative contributions! This first one is from projection designer S. Katy Tucker.

On September 11th, 2001 I was about to start my second day of work as a studio assistant for an artist in Soho. I'd moved to New York City one week before, taking a semester away from college.
Posted: 10/22/2011 by S. Katy Tucker (Projection Designer, Heart of a Soldier)


When people ask me what my job is at the opera, I typically tell them to think of my position as a project manager for the productions as a whole. It’s not my job to do the actual work of construction or to be inspired to create the design. My job is to make sure that the designs are done on time, on budget and as close to the designer’s intention as is conceivable. It has it moments of creativity and of rote mathematics. It has it moments of exciting involvement and concise detachment; but mostly it has its moments of managing large expectations.
Posted: 10/20/2011 by Andrew Farley (Assistant Technical Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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