It's hard to believe how much has been going on this fall. All within the first three weeks of the season we managed to get three operas up and running (Turandot, Heart of a Soldier
and Lucrezia Borgia
); put on two fabulous galas--Opera Ball 2011: A Night in the Forbidden City
and Bravo! Club Opening Night Gala
; present the world premiere of a brand new opera; hold the City of San Francisco's official observance of the tenth anniversary of the September 11 attacks through a moving concert in Golden Gate Park; host Opera at the Ballpark at AT&T Park for the first time in daylight; and meanwhile launch our second series of television screenings on KQED 9. We are proud to be such an integral part of San Francisco's community and look forward to the rest of the 2011 fall season!
Posted: 10/11/2011 by
San Francisco Opera
I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier
in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by
Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)
It looks like I've been enlisted again. I play Dexter and Dex in Heart of a Soldier this season, an experience that has woven a lot of events and people together causing me to reflect on the nature of heroism and love. I served as a US Marine from 1991 to 1997, achieving the grand rank of Sergeant. During that time I was lucky enough to be employed with the air wing as an air traffic controller, and later as a computer programmer with Marine Corps Combat Development Command in Quantico.
Posted: 10/01/2011 by
Daniel Snyder (Dexter & Dex, Heart of a Soldier)
As I teach libretto writing at New York University’s Tisch School of the Arts, I’ve been asked what lessons I would draw for my own students from "Heart of a Soldier".
Since my approach to writing has always been structural, I chose three moments in the first act as formal examples of how to adapt and make dramatic a work of journalism, as well as the very structure of the act and the reaction to the opera as a whole.
Posted: 09/30/2011 by
Donna Di Novelli (Librettist, Heart of a Soldier)
Karl Eikenberry is a retired United States Army Lieutenant General and former United States Ambassador to Afghanistan. At the invitation of San Francisco Opera Board Chairman, John Gunn, he and his wife attended a recent performance of Heart of a Soldier. Now a distinguished fellow with the Freeman Spogli Institute for International Studies at Stanford University, Eikenberry felt compelled to write down his thoughts after the performance.
Posted: 09/28/2011 by