We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.

How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:

The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by Timothy J. Muldoon (Volunteer Docent)


We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


It’s one of the favors many of us hate to ask for: “Hey there, would you mind picking me up at the airport? And at 11:30pm, since I’m coming in from Europe?”


This most needed and minimally glamorous task is one that Christine Miller and Gary Glaser have done on behalf of San Francisco Opera for more than 30 years. They have picked up countless artists from San Francisco International Airport over the years, and it is one of the many reasons why they are the recipients of the 2013 Spirit of the Opera Award, the highest honor the Opera bestows upon members of our community. 

Posted: 02/21/2013 by San Francisco Opera


We at San Francisco Opera think of every person who comes to the Opera as part of our family. And our family, like any family, contains a wide variety of personalities and interests. But the undisputed ‘mother hen’ of our Opera family is Board Member Sylvia Lindsey, who this spring received the 2012 Spirit of the Opera Award, the highest honor the Opera Association confers upon non-artistic members of its community.

Posted: 05/14/2012 by Sylvia Lindsey


Before he was an opera singer, Tongan-born tenor Ta’u Pupu’a (seen in the roles of Omaha and Robert in Heart of a Soldier) was an athlete. A linebacker in the NFL, to be exact. Pupu’a was drafted by the Cleveland Browns and then the Baltimore Ravens before a career-ending injury motivated him to go back to his first love: singing. How does a football player make this unconventional career transition? We had the same question. Read on to hear Ta'u's story in his own words. Check back again soon to read more about the connections between football and singing...there are more than you may think!
Posted: 10/24/2011 by Ta'u Pupu'a (Omaha and Robert, Heart of a Soldier)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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