This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert
. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.
Posted: 11/28/2012 by
San Francisco Opera
Why in the world would a 95-year-old-lady, doddering along with a cane, be asked to share her thoughts about the intricate world of opera? Because if you’ve traveled the world, as I have, to see 63 complete Ring cycles and countless other operas besides, you want the world to know why you’re so passionate about opera and why it’s so important to keep this priceless art form thriving. Opera has enriched my life beyond measure, and my financial support of San Francisco Opera—including my legacy gift—will help enrich the lives of others in the coming years.
Posted: 03/12/2012 by
Verna Parino, Bel Canto member
Before he was an opera singer, Tongan-born tenor Ta’u Pupu’a (seen in the roles of Omaha and Robert in
Heart of a Soldier) was an athlete. A linebacker in the NFL, to be exact. Pupu’a was drafted by the Cleveland Browns and then the Baltimore Ravens before a career-ending injury motivated him to go back to his first love: singing. How does a football player make this unconventional career transition? We had the same question. Read on to hear Ta'u's story in his own words. Check back again soon to read more about the connections between football and singing...there are more than you may think!
Posted: 10/24/2011 by
Ta'u Pupu'a (Omaha and Robert, Heart of a Soldier)
We know that Heart of a Soldier closed its run last month, but we can't resist adding a couple of additional blog posts submitted by people involved in the show. There were just so many creative contributions! This first one is from projection designer S. Katy Tucker.
On September 11th, 2001 I was about to start my second day of work as a studio assistant for an artist in Soho. I'd moved to New York City one week before, taking a semester away from college.
Posted: 10/22/2011 by
S. Katy Tucker (Projection Designer, Heart of a Soldier)
When people ask me what my job is at the opera, I typically tell them to think of my position as a project manager for the productions as a whole. It’s not my job to do the actual work of construction or to be inspired to create the design. My job is to make sure that the designs are done on time, on budget and as close to the designer’s intention as is conceivable. It has it moments of creativity and of rote mathematics. It has it moments of exciting involvement and concise detachment; but mostly it has its moments of managing large expectations.
Posted: 10/20/2011 by
Andrew Farley (Assistant Technical Director)