Many performing venues
, from theaters to symphony halls to opera houses, are experimenting with inviting audience members to tweet their impressions during a live performance. The phenomenon of Tweet Seats is taking hold, with varying success and acceptance. We have been delighted with the Twitter activity
during our Opera at the Ballpark performances, where the big space and relaxed atmosphere make it less distracting to see people focused on their small screens along with the big one.
Posted: 05/29/2012 by
San Francisco Opera
When we found out that San Francico Opera Chorus Member Elisabeth Rom's brother is Set Designer Erhard Rom for Nixon in China, we immediately asked her to write a blog post. So glad we did! Elisabeth shares how she became a chorus member at SF Opera (with a little help from her brother) and how with their busy schedules they still make time for family.
Posted: 05/21/2012 by
Pretty much anyone can recognize an image by graphic artist Michael Schwab—even if you don’t know it yet. He has created award-winning logos and posters for a remarkable list of prestigious clients, including Apple, Amtrak, the Golden Gate National Parks, Major League Baseball, Robert Mondavi, Robert Redford, Sundance and Wells Fargo. His work is easily recognized by his signature use of large, flat areas of color, dramatic perspectives and bold, graphic images of archetypal human forms.
Posted: 05/16/2012 by
Michael Schwab (Graphic Artist)
As we prepare for the opening of Nixon in China
on June 8, we started thinking about the year the opera takes place: 1972. It was a year of many firsts for women, a lot of violence in Northern Ireland, the birth of the video game, the Watergate scandal and when President Nixon visited China. Read on for a timeline of fun facts to impress your friends with from that fateful year.
Posted: 04/09/2012 by
Sheeda Jamsheed (Marketing Associate)
The bus stop. It's a place I often find myself spending time as an Adler Fellow. I currently live in the Inner Richmond area, which is a good forty minutes from the opera house, but you can't beat the rent or the myriad of multicultural cuisine just steps from your door. Every morning, I wait for the 38 bus with my fellow passengers in silence, and it never ceases to shock me when someone speaks to me. "How strange!" I think to myself, and wonder what it is about me or my demeanor that invites conversation. What gives people the courage to strike up a chat? Such is the subject matter of LOVE/HATE
, a modern love story about two people who meet at...you guessed it...the bus stop. And just as life imitates art, art often imitates life.
Posted: 04/02/2012 by
Marina Boudart Harris (Adler Fellow)