“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.
For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.
Posted: 06/21/2012 by
Tess Uriza Holthe (Super, Nixon in China)
It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
"You're on!": two of the most thrilling and nerve-wracking words you will ever hear in the English language as a cover (or understudy). In my opinion, covering can be compared with thrill-seeking sports like bungee or base jumping. You must be prepared at a moment's notice to go onstage and perform. During this summer season at San Francisco Opera, I am covering two VERY different roles: Madame Mao from John Adams' Nixon in China
and The Queen of the Night from Mozart's The Magic Flute
Posted: 06/18/2012 by
Susannah Biller (Soprano)
, a Pre-Opera Talks Lecturer is a versatile performer frequently featured in opera and choral performances throughout the San Francisco Bay Area and beyond. Before devoting himself to a career in music, John taught English in Guangzhou, China. Below John shares some of his memories on Nixon’s historic visit to China.
Posted: 06/14/2012 by
Those of you who have passed in front of the War Memorial Opera House in the past week have likely noticed a beautiful new addition to our Van Ness entrance. Richly colored in red, yellow, blue, black, and white, renowned artist/sculptor Jun Kaneko’s HEADS will be in place throughout the run of the summer opera season and will coincide with the premiere of Kaneko’s production of The Magic Flute
Posted: 06/11/2012 by
San Francisco Opera